X-Trans IVClassic NegativeColour
Kodak Max 800 Recipe
Vibrant Colors with a Nostalgic Grainy Feel
The lookWhy this one earns a slot
Classic Negative is modelled on consumer colour-negative film (the Superia lineage). It separates tones in a distinctive way — characterful greens, warm reds and a subtle shift through the midtones — giving everyday scenes a nostalgic, photographic quality that's hard to replicate elsewhere. It earns a custom slot for street, urban and overcast.
The settingsThe recipe
Classic Negative · X-Trans IV
- Film Simulation
- Classic Negative
- Dynamic Range
- DR400
- White Balance
- Custom Kelvin, 7300K, −5 R / −2 B
- Highlight
- −2
- Shadow
- +1
- Color
- −1
- Sharpness
- −2
- Noise Reduction
- −4
- Clarity
- −4
- Grain
- Strong, Small
- Color Chrome Effect
- Strong
- Color Chrome FX Blue
- Off
- ISO
- 6400
- Exposure Comp.
- 0 to +2/3
How to copy it to your camera
- Open the Image Quality (IQ) menu and select an empty custom setting slot (C1–C7).
- Set the base film simulation to Classic Negative.
- Enter each value from the settings above, then save the slot.
- Select that slot to shoot Kodak Max 800 JPEGs straight out of camera.
Notes & caveatsWhat it nails, what to watch
What it nails
- Tuned for street.
- Tuned for urban.
- Tuned for overcast.
- Every value is listed — copy it to a custom slot once and shoot.
What to watch
- This recipe is tuned for X-Trans IV. It will work on X-Trans V, but blue can render more deeply there — adjust to taste.
- The X-T3 and X-T30 don't offer Clarity, Grain Size or Color Chrome FX Blue — skip those values on those two bodies.
- Less suited to studio portraits.
Explore similar
CompatibilityWill it work on your camera?
Tested across the X-Trans IV and GFX generations — compatibility is defined by sensor, so any body on these generations can run it. This recipe is tuned for X-Trans IV. It will work on X-Trans V, but blue can render more deeply there — adjust to taste.
Best forWhen to reach for it
Reach for it when you're shooting street, urban and overcast. It's less at home with studio portraits and pure landscape.
Best for
Scenes and subjects this recipe is tuned for.
Less suited to
Where another look will likely serve you better.






